For many years I have worked hard to reduce the use of named moves in my social dancing. Almost all named moves are fixed sequences of basic figures with a beginning and an ending, a mini-dance following the Rueda template for how to construct couple moves for use in Rueda de Casino. Just think of it! To base a social
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From the start position of Open Position almost all basic figures start a “right turning circular motion”, the Follow walks around the Lead. The Follow can just walk for the full count of Eight, or she can turn right or left on the first or on the second half of the walk or on both. By using different handholds, normal,
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Genuine Cuban Salsa, based on the Circle and Walks, makes it possible for both the Lead and the Follow to step forward simultaneously, on all six steps of a count of Eight. This is unique for Cuban Salsa. It is simply not possible in “forward-and-back” type of dancing in the rectangular slut of X-Body Salsa. The purpose of the Lead’s
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For a Cásate, “Get Married”, walk in real life, the Lead can put his arm over and around the Follow’s arm or, just as good, the Lead’s arm can get under and around. In social dancing the Lead should normally always put his arm over and around because that makes it easier to disengage again by turning the Follow out
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This Video Demo of Cuban Son, 2021, is good to illustrate a few things about Cuban Son and Casino. The demo dance is five minutes long. The first four minutes are good even excellent, the last minute, 20 percent of the dance, is a disaster. Before I explain why, let me say a few things about Cuban Son in general.
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The Echeverría twists are popular in Rueda de Casino mostly done from Guapea that doesn’t work that well in social dancing. Also it is an unusual basic figure most Follows don’t expect in social dancing and for that reason it is a little difficult to lead. I have made another tutorial about the basics of Echeverría, called Echeverría in social
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Both Vacilala and Enchufla are often continued into Rodeo. This continuation can be done already on the last part of the two figures, on “5-6-7”, or the Rodeo can start on the next “1-2-3”. Sometimes the Rodeo figure is hard to recognize. It is more like a “walk around the Lead” figure, “por Detràs” (behind). But both Vacilala por Detrás
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Double turns are one of a relatively small number of ways to put the spotlight on the Follow and make her stand out. This is important because only if the Lead manages to make the Follow do extraordinary things can he himself also do extraordinary things without stealing the show, as is, sadly to say, very common for Leads from
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Echeverria and Echeverria con Vuelta are common and popular calls in Rueda de Casino, done in Open Position from Guapea. This doesn’t work that well in social dancing for two reasons. Firstly, it is a little difficult to lead. Secondly, the Rueda type of “forward-and-back” Guapea should not be used in social dancing. At least, I don’t use it, and
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The Dile Que No basic figure is unique as the only common figure bringing the Follow and the Lead into the start position of Open Position. For the Follow, the last part of Dile Que No is an exception to the rule of first pivoting around at the end of a three step walk on “3-4” or on “7-8”, always
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