A dance can be likened to a pyramid in the sense that is should have a solid foundation on which to build. To me, the base of the dance, the baseline, is all important. To get the baseline of you dance right, tailored exactly to your talent, your abilities, priorities and age, and to constantly improve on and develop your
Read more
This is a classic Rueda de Casino move made popular by “Salsa Lovers”, Miami, USA, 2000, DVD #2, but the move is likely much older. I have found more than 20 videos on YouTube using the version from “Salsa Lovers”. The meaning of the name is not exactly clear: Dedo (finger), Guarapo (sugarcane juice) , Bota (Boot). When called with
Read more
Nowadays I seldom use named moves in my social dancing. I mostly regard moves as choreographed mini dances to be used in Rueda de Casino only and for training purposes. More and more my dancing is organised around a couple of improvised, 1-2 minutes long FLOWS of mostly basic figures of one count of Eight. We want as small building
Read more
In order to take social dancing to the next level, a Lead should reduce the use of named “Rueda” moves to a bare minimum and focus more and more on improvised, music driven flows of basic figures in ever changing combinations. Most basic figures are only one count of Eight and many of them have a second half with a
Read more
The Saloneo basic figure is a walk in Caída position (aka Dile Que No start position). We have always had Leads walking around like that but mostly small time without really thinking about what they were doing. Yoel Marreo (MCC) generalised the Caída walk into a handful of solid basic figures. “Open Saloneo” is my contribution to the family, but
Read more
Rodeo Inverso Continuado with right-2-right handhold is another figure I naively boast that I have “invented”. This is of cause not true since many Leads like to do Rodeo Inverso two or more times in a row. What I have done is to declare Rodeo Inverso Continuado for a social move that can be done two or more times (I
Read more
This is one of my favourite social moves, and the first move I naively believe that I have “invented”. Of cause many Leads over the years have done something similar, prolonging Balsero with one or two additional counts of eight but it is rare to see it done 5-6 times or more. One day I said to myself, YES, this
Read more
Demo dance videos are often of limited value because they are not realistic for social dancing. Often the videos are heavily choreographed and too much of a show to be useful for average social dancers in need of inspiration. So-called artistic Cuban salsa dance videos are often the most disappointing. Lisandra García is good for many such Cuban Salsa videos
Read more
Definitely not, speaking in general. And there are absolutely no objective benefits from dancing the first part of a dance on “two” instead of on “one”. The only argument for doing it: that it happens to be your personal preference, or that you like to do it for a change. The OBJECTIVE disadvandtages, on the other hand, are legio for
Read more
It’s a big misunderstanding to believe that so-called “Casino” moves used in Rueda de Casino actually comes from social 1-on-1 couple dancing. As a rule of thumb but with many exceptions, they don’t! On the contrary: “Casino” moves used in Rueda de Casino were made to be used in Rueda de Casino. The exceptions include basic figures like Enchufla and
Read more
SalsaSelfie.com 🇨🇺 