A screw is a screw, Tornillo is a screw, and in Cuban Salsa (Casino) Tornillo is a right turn based on a very unique, almost acrobatic, handhold making a double turn possible by folding out the handhold in one go! In the social dance “Son”, one of the parents of “Casino”, we have a whole family of very different moves
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This is a surprisingly simple and excellent variation of the Panqué con Coca-Cola classic. The move is a typical Yoandy Villaurrutia move, it might be attributed to him, at least he has promoted it in recent years. I don’t know what Yoandy calls the move but he often uses “Coca-Cola” and “Moderno” as part of the moves he uses, so
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This is an important move because Para el Medio is not only the standard way to start a Rueda de Casino but it is also one of the best ways to start a social 1-on-1 dance. Para el Medio means “toward the middle”. It is sometimes shortened to Pal Medio or Al Medio, or El Medio or just Medio. The
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The Panqué (pancake) move is also called Siete (“7”), but in Rueda the move is most often called Panqué. Since the Follow is rolled in like a pancake or a burrito, the Panqué name makes a lot of sense. Even the most basic Panqué, “rolling in and out”, one count of eight, is a surprisingly difficult move unless the Follow
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I dare to call this intermediate move a classic, because I have it on an Danish produced Cuban Salsa DVD from 2011 (video 2), and the Mexican dance school “Salsafición” has publised exactly the same move with the same name, 2018 (video 1). Probably not a coincidence. I have also experienced the move several times in Rueda de Casino with
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This is an interesting intermediate-advanced move. Muchacho means “boy”. I have just learned it and I like it for a couple of reasons: 1) It starts with the rare Setenta Inverso, giving us more variation, 2) It ends with the rare triple right turn, giving us an opportunity to reconsider this difficult option. It is my guess that the move
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This name covers several different popular intermediate moves. I have found around 10 variations, having nothing in common except that they start with a right-to-right handed Vacilala (El Dedo). Nobody remembers why it is called El Dedo, (the finger), but I suspect that one finger was the hand signal for the move, and it soon also became the name for
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The Apertura (opening) figure is a good example of a basic Son figure that works just as well in Casino, Cuban Salsa. Apertura is a short basic figure of one count of eight with the purpose of “opening up = getting apart”, from closed to open position. Some dance schools call Apertura for “Dile Que No #1”. There are many
Read moreCuban Salsa, “Casino”, developed as a sub style of the Cuban Social Dance Son in the late 1950ties, and the two dances have a lot in common. Two of the major differences are that Son is danced on two, and that Son has a very distinct sideways set of steps called Son Clásico or Son Basic Steps. In Cuban Salsa,
Read moreWe have two, on the surface, equally good ways to do the Setenta, the Hammerlock part of Setenta moves. We can start with Vacilala steps, turning the Follow into the Hammerlock already on 1-2-3, and just walk on 5-6-7, or we can walk on 1-2-3, and use the Cuban Vuelta right turn on 5-6-7, also called the Habanero. Most dance
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We can do Enchufla forward and back one or several times, using the left-to-right handed Enchufla basic figure. But for some of the times, we can change hands or use both hands, and we can even use the El Uno figure instead of Enchufla. So when we call a figure Enchufla Triple Mix, it implies that we do an Enchufla
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Just like the Brazo Largo (long arm) exit from Setenta (Hammerlock), the Al Cuello (to the neck) exit is both rare and difficult, the hallmark of better dancers. Not that it is a must, but many good Leads love to use it with strong Follows. Al Cuello con Vacilala (1) Some Follows dislike the figure because it is a little
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We have at least 20 different moves called Setenta y Cuatro (74). So this move name it pretty much up for grabs. In this tutorial I have selected the move that in my opinion deserves the name. I like this version because it is one of the very few Setenta moves that has a Giro de Setenta exit (Hammerlock Exit
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I am exited about this tutorial because it presents a new family of Setenta moves most dancers have not even heard about. The origin of the Brazo Largo (long arm) exit from Setenta, the Hammerlock, is uncertain but its modern popularity can be attributed to Yoandy Villaurrutia, 2011. Yoandy has promoted the exit in many show dances with Diana Rodriguez
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The Gancho Doble de Yoandy is a special version of the standard Gancho Doble, we know from moves like Setenta y Dos. I attribute the move to the creativity of Yoandy Villaurrutia, at least his version is the only instance of this basic figure I have seen so far. The normal Gancho Doble (hook with both arms) is a little
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The La Jenny figure is another popular classic from the Salsa Lover Collection. It is a Paseala type of Rueda move also used in 1-on-1 social dancing. The Follow is lead around the Lead starting with the Paseala thumb-over-thumb, right-to-right “wrestler” handhold. The move contains an advanced use of the “police grip” most Leads only use in El Uno (Cubanita).
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This move ends with five times Dile Que No! Quite a challenge for both Lead and Follow. The first part of the move is a nice sequence of simple one handed turns, the basic stock of any social dance. But the most interesting part is of course the five times Dile Que No at the end. They can be done
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The move Siete Unisex Complicado is attributed to Henry Herrera, at least it is on his CD, “Henry Turns 4”, published around year 2005. I have not yet seen Henry’s version, but many others have made videos with the move and uploaded to YouTube. It is a good move to practice in class at intermediate level, because both Lead and
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A Tornado Doble, a forward and back similar to Enchufla Doble, works best or the easiest when Tornado is done with Dile Que No. If you need an introduction to the family of Tornado moves: See my overview tutorial, Tornado Variations. There are several ways to get into the start position for Tornado Doble. The double part, back tracking, going
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The short move Cinco Cientos (500) is a new excellent intermediate move in the Paseala family. It was made by the Italian dance school “Salsagaia”, 2018, in order to celebrate subscription number 500 to their “Salsagaia Online School” (SOS). I really like the move. In a comment to the video, I even call it “the move of the year”! But
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The two handed Pirueta Cubana is a Setenta variation (Hammerlock). In Cuban Salsa we have two basic ways to do Setenta. The Follow can turn on 1-2-3 using Vacilala, or the Follow can turn on 5-6-7 using Habanero. For Setenta done with Habanero, the Follow is lead forward on 1, she walks on 1-2-3, and turns as she continues to
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The “Salsa Lovers” dance school in Miami, USA, created by Rene Gueits in 1994, has been the most influential for how Cuban Salsa has developed outside of Cuba and for how Cuban Salsa is taught and danced to this very day. “Salsa Lovers” developed a Cuban Salsa Syllabus and a teaching method structured through Rueda de Casino, and published a
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The Bebé move is a very long combo of a handfuld of classic moves, danced as one long flow without Guapea in between: Balsero, Beseto, Exhíbela, Balsero Inverso, Back to Back turn, Abanico, Evelyn. I like the idea that it consists of seven classic moves any dancer should know and use. I also like the idea of a combo showing
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I hope to be the first Man back in Havana, or rather the first visitor, guest, tourist coming back. Ideally with the first flight, when international travel opens up again. March 24th 2020 Cuba locked down for tourists. I flew out the next morning. A couple of days before, the Cuban authorities started to transfer tourist from Case Particulares to
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The Tornado is a unique basic figure of just one count of eight. It is not just a figure, more like a family of figures because it can be applied in four different ways. The Tornado can best be described as a technique the Lead can use to turn the Follow in different situations by wrapping his arms around her.
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What a great move! I have only found one video and I attribute the move to Piotr Agassi or it might be one of Yoel Marrero’s two handed moves. Casinando starts with the very popular Setenta y Cinco (75), four counts of eight. But we could just as well start is from Dile Que No or from Exhibela con Corona.
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The “Alex Routine” is my name for a one minute long social dance by Alexander Pavlov (Ukraine) and an excellent “I never back rock unless a bad Lead insists” Follow. When I first saw the video clip, I said to myself: I am going to learn and practice it like a routine. I want to own it. I now use
Read moreOne of my favourite Dance Schools, “DC Casineros”, calls the move Setenta para el piso (70 for the floor). In Spanish “para el” is often shortened to “p’al” or just to “pal”. They call it 70 pal piso. In the middle of the move the Lead either kneels down on the floor or squats down as I prefer to do
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My Masterclass Video # 7 is now ready on YouTube. It is about a unique and very special turn, I call Giro de Setenta, the Hammerlock turn. That is to give the Follow a right turn under her arms as part of 5-6-7 of Setenta, the Habanero metod, or on 1-2-3 of the next count of eight, the Vacilala method.
Read moreThis Dile Que No is good for training a shoulder lead Habanero turn, walking on 1-2-3, turning on 5-6-7. The DQN has replaced the common Coca-Cola turn on 5-6-7 with interesting windmill (Molino) arms. The move is the last part of a move called Yoyoflow con Molino. For background information about the Yoyoflow moves see the “Yoyoflow (Coca-Cola Moderno)” tutorial.
Read moreThis Dile Que No is good for learning a hip led Coca-Cola turn and a hip lead Habanero turn, walking on 1-2-3, turning on 5-6-7. Since the move starts with DQN and ends with two times DQN, it is also good for training Dile Que No Inverso, the version of DQN used when the motion is already counter clockwise. The
Read moreThis is another variation of the extraordinary move, I call Yoyoflow. It has characteristic windmill (Molino) arm movements in the Dile Que No at the end. For background information about the move, see my tutorial “Yoyoflow (Coca-Cola Moderno)”. The Video Clip is from a YouTube video labeled “Salsa Intermediate 31.01.12”, Moscow, Russia, 2012. This version is similar to Yoyoflow con
Read moreThis tutorial shows one variation of Yoandy Villaurrutia’s move Coca-Cola Moderno. I have named it Yoyoflow con Habanero because the Follow is unwrapped using first Vacilala and then Habanero twice, walking on 1-2-3 and turning on 5-6-7. For more background information see the tutorial named “Yoyoflow (Coca-Cola Moderno)”. The Video Clip is from a YouTube video named “Salsa Intermediate 0703”,
Read moreThis tutorial shows one variation of Yoandy Villaurrutia’s move Coca-Cola Moderno. I have named it Yoyoflow con Vacilala because the Follow is unwrapped using Vacilala twice, turning on 1-2-3 and walking on 5-6-7. The other variations use the Habanero turn, walking on 1-2-3 and turning on 5-6-7. For more information see the tutorial named “Yoyoflow (Coca-Cola Moderno)”. The Video Clip
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I have named this inspiring “lead her by her hips” move “Yoyoflow” to honour Yoandy Villaurrutia. He created the move 10 years ago and just called it Coca-Cola Moderno, but the move deserves a better name. Since “Yoyoflow” is the nickname of Yoandy, it is also a good name for a sequence of some of his more creative turns. I
Read moreInstead of pushing the Follow’s right shoulder or hip gently as signal to unwrap the first half of Panqué (Siete), the Lead can “push clap” the Follow’s left hand, if she presents it to him like a high-five, inviting him to do so. This variation of Panqué works well as a call in Rueda de Casino, but in some situations
Read moreAs I have said in the tutorial “Cuban Salsa: Panqué (Siete)”, Panqué is a unique move, the only common move in social dancing, except Guapea, always done on the spot, stationary. We do walk, the Lead on the spot and the Follow like a tight half-Vacilala, in and out. Panqué could be regarded as a Guapea Vuelta Doble. Panqué (Siete)
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This tutorial is about the Panqué (Pancake) move, also called Siete (7), a basic figure of just one count of eight. We have more than 20 moves in the Panqué/Siete family. Panqué is unique in the sense that it is the only common move in Cuban Salsa, except Guapea, not done walking. Or rather, it is done stationary, walking on
Read moreThis A Bayamo variation contains a basic figure called “Tornado” or El Túnel (tunnel). “Tornado” is the general term but when the figure is done using the Enchufla method as in this tutorial, it looks more like a tunnel. As I explain in my tutorial “Tornado Variations”, we can do Tornado turns using three different methods: Vacilala, Dile Que No
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This is the Mother of all Shines and works well both in American and Cuban Salsa. Most Cuban Salsa dance schools teach Suzy Q as an easy shine to do when dancing apart after a hand free Vacilala. Suzy Q comes in many variations, but the basic Suzy Q is more than enough for most dancers. If one should add
Read moreThe Boy, Child, El Niño, is one of the better advanced level moves from “Salsa Lovers” DVD 04, from around year 2000. I have found many videos on YouTube with this move. It contains a back-to-back Enchufla Complicado, we also see in the classic “Salsa Racing” move, Siete Loco Complicado and in the Setenta Nuevo move. It is much easier
Read moreThe dictionary translate Arrebata to snatch: “Grasp or seize hastily, eagerly, or suddenly”. In the “Salsa Steps” App, Arrebata is called “punctures”. The general dance term is “flares”. Arrebata on four or on eight can be used in social ono-on-one dancing when dancing apart. It is even possible to use it during normal dancing, to sneak it in here and
Read moreThis shine is the most advanced shine having a name most dancers will recognize. They might not remember the footwork 100%, but they have heard the name before and they recognise the footwork. Italiano is normally done as part of “forward and back” basic steps, but one can also start it directly. It is only for solo dancing, warmup, workout
Read moreThis is a small gimmick, mostly used to impress onlookers for fun. On 5-6-7 the Lead polishes his right foot behind his left leg. One can also polish the left foot on 1-2-3 but that is less common. For the right foot, in my experience, it is best to start already on count four, polish on 5-6 and put the
Read moreThis shine type of move is a common call in Rueda de Casino, and it is often called twice in a row. First “Echeverría”, next “Echeverría con Vuelta”. Echeverría is also popular in 1-on-1 social dancing. For Echeverría the Lead opens up on seven and places his feet in Echeverría pose as a signal to the Follow, and the twisting
Read moreThe Goat, El Chivo, was one of the first Qshines I learned, and I use it occasionally in my one-2-one social dancing. In Cuban Salsa we mostly use mini shines that fit in naturally as part of the dance. In Cuban Salsa we rarely have longer sessions with shines when dancing apart, we prefer to go all Cuban and speak
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This is my sixth Masterclass video, Dile Que Sí, the steps, an important variation of Dile Que No to be used in certain situations. For count 1-2-3 Dile Que No and Dile Que Sí are exactly the same. But for Dile Que Sí the Lead regrets that he is going counter clockwise and steps forward again clockwise on 5-6-7. In
Read moreThis figure is not a so-called “A Bayamo” move. Bayamo, a city in Cuba, is just part of the name. Bayamo en Coche means “Bayamo by car”. It’s a figure attributed to Henry Herrera, at least he made it popular by including it on the “Salsa Racing” DVD Vol 5, “Henry Tuns 1”, Miami, Florida, USA, 2002. I have found
Read moreMany of the classic moves used today are attributed to Henry Herrera’s “Salsa Racing” DVDs from 2002, Miami, Florida, USA. I have only found one move with an interesting Alarde section. The move is called En Talla and we find it on “Henry Turns 2”. The move itself is not that exciting, unless you like tight wrestling. En Talla (in
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