Definitely not, speaking in general. And there are absolutely no objective benefits from dancing the first part of a dance on “two” instead of on “one”. The only argument for doing it: that it happens to be your personal preference, or that you like to do it for a change. The OBJECTIVE disadvandtages, on the other hand, are legio for
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The basic figure I call Enchufla Simple is called Ven y Vira (“come and return”) by some dance schools, and a few call it Lazo. I prefer easy to understand common sense names. And if a dancer can guess what a figure or move might look like just by knowing the name, the better. Enchufla Simple is the easiest of
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The Exhibela “turn” is one of the most misunderstood basic figures in Cuban Salsa. It is not a turn but a walk to exhibit the Follow, “show her to the world”. A walk with two half turns of 180 degrees, and both happens just by walking and pivoting around. There is no 360 degrees turn but two half turns far
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I call my Private Cuban Salsa Practica for my daily social workout. I train with one of several dance partners at all levels in parks and on public dance platform or in private homes. Your own Practica, where Lead and Follow decide date, time and place, the music, what and how to train, is to me social dancing at a
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Very often when doing Dile Que No, the Lead wants to lead the Follow around him behind his back doing Rodeo Inverso type of figures like the Bayamo family of moves and the Setenta y Cinco family of moves, or just leading her around using Paseala moves. This is impossible using DQN because if both the Lead and the Follow
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When doing Dile Que No, the Lead sometimes needs to add one more Dile Que No in order to lead the Follow into open position, also called Guapea position. We can easily have several DQNs, one after the other. The first DQN changes the motion on the Partner Circle from right to left, from clock-wise to counter clock-wise. All additional
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The Panqué (Pancake) figure, also called Siete (7) in the Miami Rueda tradition of “Salsa Racing” and “Salsa Lovers”, is a unique basic figure of one count of eight. It is unique in the sense that it has its own set of steps we don’t see in any other basic figure, and it is unique because it doesn’t fit in
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It’s a big misunderstanding to believe that so-called “Casino” moves used in Rueda de Casino actually comes from social 1-on-1 couple dancing. As a rule of thumb but with many exceptions, they don’t! On the contrary: “Casino” moves used in Rueda de Casino were made to be used in Rueda de Casino. The exceptions include basic figures like Enchufla and
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The “Coca-Cola” is the standard 360 degrees left turn in Cuba Salsa and turning on “5-6-7” is the most common but turning on “1-2-3” is also possible. The Coca-Cola turn is a basic figure of one count of eight: The Follow is lead forward on “1”, she continues forward on “2-3” and turns on “5-6-7”. The Coca-Cola turn is most
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I have been wondering for a long time, why so many classic Rueda moves have number names like Setenta, 71, 72, 75, Ochenta y Quatro (84), Noventa (90), Siete (7), El Uno (1), El Dos (2), etc. We have more than fifty moves with number names, if we include Complicado versions and variations. Most likely Setenta was the first such
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