In shows, workshop videos and social dancing, we sometimes see a Follow being led around the Lead with her arms and hands high for two counts of eight or more, doing a couple of 360 turns along the way. Such figures are mostly nameless and often improvised or choreographed as an unfinished products in need of being generalised and optimised.
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Rueda de Casino is great fun, good for socialising, a nice way to say hello to new comers as well as to old friends. But Rueda de Casino is also hard-wired choreography with no decision making, no leading and following, no improvisation, no creativity and no musicality. If we dance a lot of Rueda de Casino, the burden of the
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The Setenta y Cinco (75) family of moves is great for social dancing, and I often use one of them as a contrast to my improvised flows of basic figures. “Casinando” is probably my favourite because it has a very long counter clock-wise sequence before it goes clock-wise again. If the Follow passes the “test” of the long sequence of
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This is a unique Cuban Salsa figure, the Follow walks clock-wise as she turns counter-clockwise. It is for social dancing but can be adapted for Rueda de Casino. Superficially it looks like a sequence of “stirring the pot” spin turns but but it is a travelling figure, a sequence of 180 degree Enchufla turns with a step in between each
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I love to do Paseala walks, continue into Exhibela, back into Paseala and more Exhibela, adding Rodeo etc, back into Paseala and more Exhibela, etc. This makes for great dynamic social dancing. Then one day I realised that I can do more or less the same combining Dile Que No, Coca-Cola and Exhibela, Rodeo, Reína, etc. More dynamic social dancing
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La Paloma (The Pigeon), or the “Pigeon Walk”, I have learned from a video of a workshop by Ruben Rodriguez. It took me and my partner a training session to learn the move and to get a good feel for it, and another training session to modified it to suit our own style of dancing. The original “Ruben” video is
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The Follow’s short Paséala walk in front of the Lead, pivoting around in the corners on “3-4” and “7-8”, is normally done a couple of times before the Lead goes on with Exhibela or some other move. “Small time” continuation is so to speak part of Paséala. What I call Paséala Continuado is when the Lead doubles down and uses
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Probably more than half of all Leads never use left turns, so-called Coca-Cola turns (I have done some statistics). They can get away with “no Coca-Cola” because Enchufla half left turns are so common in Cuban Salsa, often used more than once in many moves. Of the Leads using Coca-Cola left turns on “5-6-7”, typically as last part of Dile
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In this tutorial I present two good FIRST CLASS social moves, a Cásate (“get married”) variation (I have not decided on a name yet), followed by Enchufla Continuado. I will make separate tutorials about these two social moves soon. Sometimes it is inspiring to see a continuing flow of two or more good social moves instead of having the dance
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The most common Coca-Cola al Revés (“the other way around”) is called Setenta y Uno al Revés. Very many of the best Leads use Coca-Cola al Revés, and it can be started directly from Caída position (start position of Dile Que No and many other figures, moves and walks). We don’t need Setenta. My video archive for Coca-Cola al Revés
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