The Rainbow, Arcoíris, is often depicted as a brain dead Rueda Couple Move, always done the same way and often rushed, that is, the Rainbow goes up and down on “1-2-3” and into Hammerlock on “5-6-7”. I prefer to enjoy the Rainbow, using at least a full count, and first to exit back-to-back on the next count. Social dancing should
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Many Leads across many sub-styles of Cuban Salsa use Paseo Walks in a box-shaped pattern starting from Open Position and sometimes called Caminala. The Lead can change handholds for each half count or use the basic left-2-right handhold all the way, and one can walk the figure one or more times. After one or more Paseo Básico walks, many Leads
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I first saw this sequence of basic figures deep inside a demo dance of a Polish couple, 2016. I don’t know if it was pure inspiration, or one of the standard moves of the Leader. I don’t know if he has ever used it again or if has a name for it. I link to the video below. I liked
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The name Vacilala Continuado seams so obvious and straight forward as a name of a figure that it must exist. But it doesn’t until now. At least not as a generalised figure, easy to replicate. Except that we do have a short “Continuado” called Vacilala Double. But even double turns are surprisingly rare iCuban Salsa. They are difficult on a
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For many years I have worked hard to reduce the use of named moves in my social dancing. Almost all named moves are fixed sequences of basic figures with a beginning and an ending, a mini-dance following the Rueda template for how to construct couple moves for use in Rueda de Casino. Just think of it! To base a social
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From the start position of Open Position almost all basic figures start a “right turning circular motion”, the Follow walks around the Lead. The Follow can just walk for the full count of Eight, or she can turn right or left on the first or on the second half of the walk or on both. By using different handholds, normal,
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For a Cásate, “Get Married”, walk in real life, the Lead can put his arm over and around the Follow’s arm or, just as good, the Lead’s arm can get under and around. In social dancing the Lead should normally always put his arm over and around because that makes it easier to disengage again by turning the Follow out
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The Echeverría twists are popular in Rueda de Casino mostly done from Guapea that doesn’t work that well in social dancing. Also it is an unusual basic figure most Follows don’t expect in social dancing and for that reason it is a little difficult to lead. I have made another tutorial about the basics of Echeverría, called Echeverría in social
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Both Vacilala and Enchufla are often continued into Rodeo. This continuation can be done already on the last part of the two figures, on “5-6-7”, or the Rodeo can start on the next “1-2-3”. Sometimes the Rodeo figure is hard to recognize. It is more like a “walk around the Lead” figure, “por Detràs” (behind). But both Vacilala por Detrás
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Double turns are one of a relatively small number of ways to put the spotlight on the Follow and make her stand out. This is important because only if the Lead manages to make the Follow do extraordinary things can he himself also do extraordinary things without stealing the show, as is, sadly to say, very common for Leads from
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