The ExhÃbela Trio is simply three ExhÃbela variations that work well together. First the basic ExhÃbela, one or more times, next Vacilala inside ExhÃbela, one or more times, and at the end ExhÃbela but instead of going back into CaÃda position, the Follow is walked into the start position of Open Position or into a “7-8-1” pivot as shown in
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A Lead should know and use hundreds of basic figures and moves but only use a tiny selection in any one dance. It is much better to use ten figures five times than fifty figures one time in a dance. The benefits of a small selection, and of repeating many of the figures several times are multitude: In a nutshell:
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The ExhÃbela “turn” is one of the most misunderstood basic figures in Cuban Salsa. It is not a turn but a walk, a Casino Clásico variation. ExhÃbela means “show her to the world”. Some dance schools teach ExhÃbela as a sideways Vuelta right turn with back-rocking. Exactly like Salsa on One, LA style, would mimic Cuban Salsa. A turn is
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The classic Coca-Cola left turn is done as the last half of Dile Que No, on “5-6-7”, around the Lead. The classic way to proceed is for the Lead to add another Dile Que No and bring the Follow into the start position of Open Position. But we have many alternative ways to do Coca-Cola turns from Dile Que No.
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Paséala is a classic basic figure of one count of eight, often repeated one or more times. It is a closed position walk starting from CaÃda position and back to CaÃda positoin. Just like for Exhibela, the Follow walks three steps forward, and three steps back, still in forward walking position. For Paséale the Follow pivots left on “3-4-5” and
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Enchufla is one of the most important basic figures in Cuban Salsa. In most named longer moves, Enchufla is likely to appear one or more times. No other basic figure have so many options for what to do at the half-way position. Many of the options are basic figures in their own right. Enchufla can be started from more positions
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Coming from Dile Que No into Open Position, I mostly skip Guapea: I don’t want to stop-up, I don’t want to do the “back-and-forward” Guapea Horror Show, or to suddenly go sideways using Cruzado Guapea. I do use the versatile “forward-forward” Guapea (Cruzado), the traditional Guapea GOAT, from time to time and in certain situations as an ordinary figure in
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For a long time I have wanted to create a rock solid Titanic figure for Casino, and I have collected video clips of such figures from other social dance styles for inspiration. Both walks on a straight line and in circular motion. A month ago, I decided to give the Titanic walk a serious go. It took me and my
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Coming from Dile Que No into Open Position, I mostly skip Guapea: I don’t want to stop-up, I don’t want to do the “back-and-forward” Guapea Horror Show, or to suddenly go sideways using Cruzado Guapea. I do use the versatile “forward-forward” Guapea (Cruzado), the traditional Guapea GOAT, from time to time and in certain situations as an ordinary figure in
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The Grapevine is a universal dance pattern used in many dance styles. It is not common in Cuban Salsa. I don’t know of any named classic move containing a Grapevine figure. I have wanted to use such a figure in my Casino for a long time. Fortunately, Grapevine figures are common in Cuban Son. I have looked at a lot
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