Setenta y Dos is like Setenta y Uno except that it ends with an arm hook to both arms, Gancho (hook). For some reason Setenta y Dos is seldom used in its basic version of just adding an Enchufla and the two arm hooks to the Hammerlock. It is almost implied or has become a tradition that when we say
Read moreSetenta y Uno is a short move, the Hammerlock plus one more count of eight consisting of Enchufla and Gancho, an arm hook. Sententa y Uno is not that interesting by itself but the move is used as the start of several other moves like Setenta y Cinco (75) (one of my favorites), and the Gancho arm hook is part
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Setenta con Alarde is often just called Setenta, and that is confusing because it gives us at least three different variations with the same name. I propose to use the following three names for the three most common Setenta moves: Setenta (almost half of all Setenta videos) Setenta con Finta (less common but equally good) Setenta con Alarde (almost half
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Setenta, meaning “70” in Spanish, is most likely the first real move you learn in Cuban Salsa. For that reason it is considered beginners level, but you could just as well call it intermediate. It really is one of the signature moves of Cuban Salsa, likely to be called in any Rueda de Casino, and very many Leads at any
Read moreVacilala steps are the signature steps of Cuban Salsa. The basic hand free Vacilala move is the favorite move of many salsa dancers. In almost every social dance, Vacilala is used at least one or two times as the most elegant way to get into free style mode. Hand held Vacilala is used as the beginning of more than 100
Read moreGiro just means turn and the term is often used with that broad meaning. But sometimes Giro is used for a subset of turns or incremental turning. So pay attention. There is no consistent use of the term Giro in Cuban Salsa but it ought to be used with a special meaning. We have turning in the form of Vacilala
Read moreThe Lead, poor fellow, never ever experiences any other dance than his own. The Follow on the other hand dances a new dance with each and every single Lead she dances with. If we want to define a social dance like Cuban Salsa, just ask the Follows. Cuban Salsa can be defined as the collective experience of the Follows, of
Read moreIf salsa dancing is going to be more than a secret pleasure for the few outside the Latino world, it really must be better grounded also in the local culture. If we love salsa dancing so much that we want it to become mainstream culture, it must be rooted in ourselves. If we want salsa dancing to become for all
Read moreIf you hold hands when you go social dancing, you are all wrong in most dance styles. We don’t hold hands or should not hold hands. Hands should only touch hands with a varying degree of tension. We use fingertips against fingertips and even hooked fingers. We might rest a hand on or in a hand but we never hold
Read moreIn Cuban Salsa we count 1-2-3-4-5-6-7-8 to the beat of the music. Since we don’t step on 4 and 8, we normally count “1-2-3-…, 5-6-7-…”. Since we can tap on 4 and 8, as an optional feature, many of us count 1-2-3-tap, 5-6-7-tap. So far so good. The full eight count In Cuban Salsa, and this is important to understand
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