Cuban Salsa: Ochenta y Quatro (84) into COPA into Carousel
I hardly use named moves any more, small mini-dances, couple choreographies made for Rueda de Casina mostly. The reason is obvious. If we want playful, inspired dancing, if we want creative and music driven dancing, the dancers must be able to catch the moment, to modify, change and develop their dance step by step. That is, we must mostly use
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